The anxious prop, case 3: the black swan issue
a publication assembly line, Berlin, 2010

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

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photos by Fiona Geuß, Luis Berríos-Negrón, Thomas Pausz

The open assembly line worked. The three axis parti inspired by Paul Ryan’s threeing technique and earthscore notation facilitated the topology. The work was pushed forth by a section of the collective, Luis Berríos-Negrón, Elín Hansdóttir, Mendel Heit, Fotini Lazaridou-Hatzigoga (each on one station cutting/folding/binding, the fourth being outside, ie. in a continuous aleatory reading of Cortazar’s Hopscotch, not unlike a cuban cigar factory), along with the product. The assembly of the feuilleton, as site itself, completely absorbed the boundary between audience and collective. The whole thing took a life of its own, as both the content and the dynamic unfolded seamlessly.

The feuilleton, Case 3: The Black Swan Issue, included contributions by Morgan Belenguer, Miodrag Kuc, urbikon, and Leah Whitman-Salkin, with external contributions by Ross Adams, Hilary Brown, François Bucher, Jean Gardner, Mark Jarzombek, Pia Marais, Walter Mercado, Paul Ryan, and Hannes Schmidt.

See also: www.theanxiousprop.org